'Signpost'
 
A-a-a-nd we're off! Martin Dickens and Will Monte arrived yesterday afternoon to provide transport, muscle, and other logistical support (I provided the tea). The guys packed the post and base into Martin's van; a tight squeeze, but just made it, and they headed off, whilst I cycled to meet them at the Victoria. A bit of confusion over the service lift they had access to meant I was hanging around the wrong door, and they already had the base out on the site. But still plenty to do as the images show; post orientation, fitting the base, timer, and a final test before leaving it set as 'off' overnight. Stu and I checked the post this morning, tidied the grass, tested the headphone sockets, and tweaked the timer. Already, it's possible to see how many people pass by; several stopped to talk to us while we were setting up, and with fewer shops open on the first floor than the ground floor, there is less distraction. We'll be calling back from time to time to check how things are running and hopefully chat to a few more people.

Huge thanks to Martin and Will, and also to the Artside team and staff at the centre.
 
Transcripts 08/30/2010
 
While Stuart has been orienteering, I've been working on the code transcripts that will eventually become the captions that accompany our sound files. The aim is to create vector based text files that act as real time transcripts of the sounds (like subtitling on films), providing greater accessibility and sensory enhancement to the sounds; depending on how you can or like to access sounds, you'll able to hear them, feel them, see transcripts and any combination of those. Until the screens we've ordered have arrived, we can't test how the files will look within the final work, but by using vector based text, they should scale up without losing definition.

More interesting than the technical talk perhaps, is the challenge of creating a sound transcript. Being deaf myself, I'm intrigued by how much information is left out in captions. Sometimes that's necessary; there's only so much time you have to read a caption before the next one comes up, so when there is a lot of dialogue, the captions need to favour 'readability' rather than detail. But with many of our sound files, we can explore the description of a sound; does an air compressor on a train hum or drone? How do you describe the sound of a bucket blowing around an alley? How much is one person's perception of a sound and how does that influence the transcript? We'll begin posting a few example files shortly so we'll see if our approach works for other people.
 
Orientation 08/24/2010
 
Maquette of Signpost on two joined together Ordnance Survey maps, with a compass, book and pen
Today, among other things, I worked out the orientation of the sign when we place it in Chalkwell Park. I had a guess when actually in the park and after my calculations today I realise I was quite a way out (over 20° I reckon). My house isn't quite on the alignment that I thought it was either so it was a good process to go through. I laid out a few adjoining OS Explorer maps (176 & 184), oriented them against the compass. Luckily, they are marked with True North and Magnetic North so I was able to get the maps at the right angle, define the line to be taken between Chalkwell Hall and Colchester Castle, and plot the number of degrees from Magnetic North. I also calculated the angle of the drive of Chalkwell Hall, even though it was small it was marked on the map, and I'll check that in the morning when I go to the site just to make sure.